FILM CLASS BLACK HEBREW ISRAELITES AKA AFRO BEDOUIN PART 3
FILM CLASS BLACK HEBREW ISRAELITES AKA AFRO BEDOUIN PART 3, FILM CLASS BLACK HEBREW ISRAELITES aka Afro Bedouin PART 3 PART 3 of the FILM CLASS see the first two parts of this series RATE IT! BLACK HEBREW ISRAELITES so called Afro Bedouin PALE ARAB Islamo fascist Racism! ARABS and so called PART 2 of the FILM CLASS BLACK HEBREW ISRAELITES so called Afro Bedouin PALE ARAB Islamo fascist Racism! ARABS and so called moslems have treated BLACKS as second class citizens in Arabia just like the Racist White man has done in AMERIKA! What does this teach us? NEVER AGAIN!!! Film Tries to Capture Truth of the LOST Black SHEEP of the House of ISRAEL so called Afro Bedouin and their Life in All Its Hues Vividly exposing pale/white Arab on black Hebrew racism inside the so called Bedouin Moslem/Muslim Mohammadmen community The Film Class is an eye opening and enjoyable documentary about an JEZREELI/Israeli sector that is generally ignored Its another evidence of our Black Hebrew Israelite diasporic family the Ethiopian Hebrews Amos 9:7 11 who are actually descendants of the scattered remnants of the Lost Sheep of the House of Israel How did we get enslaved scattered and become so many nations and peoples today as so called Black people? READ and STUDY more about the Curses for Disobedience spoken of by the Prophet Moses in DEUTERONOMY Chapter 28! Also recommended: The Truth About Black Biblical Hebrew Israelites Jews: the Worlds Best Kept Secret : Ella J Hughley: Books From Babylon to Timbucktu by Rudolf Winsor and Valley of the Dry Bones by the same black Hebrew Israelite author Simply put then the 12 Tribes of IsraEL were scattered because of disobedience to YAHWEH ELOHIM THEREFORE according to PROPHECY our people were dispersed to the four corners of the earth Many were enslaved by various heathen nations including the middle east after non Hebrew pale white Arabs we call Aravs bought and sold KUSHIS pale aravic for NIGGERS after 70 AD and the fall of Jerusalem under the Italian Fascist Romans i e Vespasian and Titus as recorded in history MANY BLACK JUDAHITES or JUDA ish peoples fled into ARABIA El Ghor and AFRICA i e Ethiopia 2nd Kings 19:30 31 They are now called Afro Bedouins and are similarly called Abed slave by the traditional pale aravs Bedouin These Afro Bedouins were lost Hebrew Israelites slaves of the white pale/ white Bedouin Aravs until 60 years ago The black HEBREW so called Bedouins still find these slavery terms derogatory in the same way that Blacks in the USA find white people using the N word derogatory WE MUST NOW Begin to CONTRONT these ISSUES DIRECTLY! The Black MESSIAH is in gathering His lost sheep This group of Hebrew Black women especially the younger ones were fresh and vibrant totally with it and seemed quite capable of assimilating into Israeli Arab society People who reside in Arab regions and speak Arabic are defined as Arabs In addition many of them speak excellent Hebrew In fact not until the time that the group viewed one of its members efforts a short clip about krembos did the members actually acknowledge the feelings of frustration and anger that came from the racial discrimination against them Krembos are a popular Israeli treat: cream on a cookie coated with chocolate In Rahat the cookies are called Slaves Head or Ras Abed in Arabic It turned out that the young women before the krembo awakening of their anger and frustration had little interest in their ancestry Many of them had not questioned parents or grandparents about their heritage up until then As a result they began to experience a resurgence of pride in their culture and gained a sense of empowerment Majid Alkamalat the Afro Bedouin director of A Step Forward in Rahat is in favor of this introspection and growth because he believes the Afro Bedouin community must explore its submerged internal tensions Besides the scenes depicting the women touring the slave quarters in Zanzibar there were scenes of an Afro Bedouin asylum seeker in Britain and many discussions in the local clubhouse The young man who had fled Rahat left because of the consequences of daring to marry a traditionally Arab Bedouin girl He was forced to dissolve the marriage and had to escape to somewhere in Britain because of threats by townspeople against his life The filmmakers were careful not to show any identifying signs in the scenes shot in Britain in order not to reveal the young mans exact location www lojsociety org/contact